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民族風(fēng)格服裝即民族特色職業(yè)裝和民族風(fēng)時(shí)尚服裝是具有獨(dú)特性民族文化元素和現(xiàn)代服裝相結(jié)合新鮮產(chǎn)物，需要根據(jù)市場(chǎng)的需求、結(jié)合該區(qū)域民族服飾的特點(diǎn)，由專(zhuān)門(mén)的民族服飾設(shè)計(jì)師們?cè)O(shè)計(jì)出來(lái)的，它往往也帶了一定地域的民族氣息，像一些旅游勝地、特色酒店、土家飯館、地方政府機(jī)構(gòu)等。我們民族文化是博大精深的，民族服飾也是非常，不僅代表民族的文化和歷史，更具有可替代的美感，所以這樣設(shè)計(jì)出來(lái)的服裝是非常與眾不同的，同樣值得注意的是，我們說(shuō)的民族風(fēng)格，不是僅僅將民族服飾直接的職業(yè)化、時(shí)尚化設(shè)計(jì)，而是在服裝上加入經(jīng)過(guò)提煉的民族文化元素，使之適合其獨(dú)特的人文環(huán)境。
National style clothing is ethnic and folk style occupation fashion is unique elements of national culture and modern fashion of combining fresh product characteristics according to the market demand, combined with the regional ethnic costumes, designed by national costume designers to design, it is often with a certain geographical ethnic flavor some, like tourist resorts, hotels, restaurants, the characteristics of Tujia local government institutions. We Chinese national culture is broad and profound, national dress is also very good, not only on behalf of the national culture and history, with more alternative beauty, so designed clothing is very out of the ordinary, it is also worth noting that the folk style we say, not only the national costume, fashion direct occupation but in the clothing design, with refined elements of national culture, to fit its unique cultural environment.
從工藝角度來(lái)講，職業(yè)服、時(shí)裝的民族化要遵從現(xiàn)代成衣業(yè)的制約。中華民族服飾文化之自是無(wú)可非議，但面對(duì)現(xiàn)今社會(huì)的生產(chǎn)、生活方式——機(jī)械化、自動(dòng)化、信息化、知識(shí)化的現(xiàn)代文明和由此而帶來(lái)的一系列觀念上的變化，傳統(tǒng)民族文化已有多方面的不適應(yīng)，跟上時(shí)代的步伐是人類(lèi)文明生存和發(fā)展下去的出路，否則，它除了能作為文物放在博物館里供游客參觀、欣賞，別無(wú)它用。當(dāng)然，在表現(xiàn)和宏揚(yáng)民族文化為題材的作品中不乏的上乘之作，其創(chuàng)意的深度，文化內(nèi)函和表達(dá)方式都得到了國(guó)內(nèi)外各界人士的贊同，但是對(duì)的中華民族文化斷章取義的事例卻也屢見(jiàn)不鮮，以至使人們對(duì)民族文化產(chǎn)生了很多片面的認(rèn)識(shí)，好像除了舞臺(tái)演出外基本沒(méi)有其他實(shí)際的應(yīng)用。的確，民族服飾文化進(jìn)入現(xiàn)代服裝設(shè)計(jì)中，尤其是在將民族化與工業(yè)生產(chǎn)和市場(chǎng)連接時(shí)總會(huì)遇到相當(dāng)多的問(wèn)題。所以將民族文化引入到人民生活中所遇到的難度要比在表演服裝難度中大得多。認(rèn)識(shí)工業(yè)文明這一時(shí)代的產(chǎn)物對(duì)民族服飾時(shí)尚化、現(xiàn)代化的影響就是重要的一步。
From the point of view of the process, the nationalization of professional clothing and fashion should comply with the restriction of the modern garment industry. The Chinese national costume culture of outstanding self is a series of changes but without rebuke, the concept of modern civilization in the social production and life style, mechanization and automation, information and knowledge and thus brought on, can not adapt to the traditional national culture has many aspects, keep pace with the times is the only way to human civilization to survive and develop otherwise, which in addition to as cultural relics in the museum for visitors to visit and enjoy it, No. Of course, in the performance and carry forward the national culture as the theme of the works are outstanding superior, its creative depth, cultural lntension and expressions are obtained in various circles at home and abroad agree, but for the excellent culture of the Chinese nation. Interpret out of context but also not uncommon, and even make people produce a lot of the one-sided understanding of the culture, as well as application stage basically no other practical. Indeed, the national costume culture enters the modern fashion design, especially in the connection of nationalization to the industrial production and the market. So it is much more difficult to introduce national culture into the people's life than in the difficulty of performing clothing. It is an important step to understand the impact of the era of industrial civilization on the fashion and modernization of national costumes.

這對(duì)一個(gè)設(shè)計(jì)、工藝團(tuán)隊(duì)的要求甚高。必須具備對(duì)民族服飾文化和現(xiàn)代服裝工藝充分的理解和認(rèn)識(shí)，如何才能夠?qū)⒙殬I(yè)化時(shí)尚化的現(xiàn)代服裝和民族服飾的文化內(nèi)涵進(jìn)行合乎現(xiàn)代人審美的結(jié)合，使之達(dá)到藝術(shù)和技術(shù)的理想組合？作為一般意義的服裝企業(yè)這的確是個(gè)不小的難題，雖然對(duì)于各種類(lèi)型的服裝企業(yè)來(lái)說(shuō)，生產(chǎn)合格的服裝并不是什么困難的事情，而更多的要提及的是如何多元化地滿足客戶的特殊需求，這就不是一般意義上的設(shè)計(jì)和工藝那么直接。
This is very demanding for a design and process team. We must have a full understanding and understanding of the national costume culture and modern clothing technology. How can we integrate the cultural connotation of modern fashion and national costume professionally and modernist with modern aesthetic appreciation, so as to achieve the ideal combination of art and technology? As a general sense of the garment enterprises, this is indeed a problem, although for various types of clothing enterprises, the production of qualified clothing is not what difficult, but more to mention is how diversified to meet the special needs of customers, this is not a general sense of design and process it directly.
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